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Dan Simmons' Drood Finally Appears

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Those of us who have known and loved Dan Simmons' work through all is genres, way back to the pre-Empyrion, pre-Carrion Comfort, even pre-Song of Kali days -- have been waiting forhis latest masterwork, Drood, for a long, long time.  Now, finally, it's arrived: by far the most anticipated work from this damn fine writer.  

Like The Terror before it, Simmons has taken a shard of 'real' history and  crafted a work of speculative history (?) that is fascinating, terrifying, and even convincing.  This time it is about the dark final days of Charles Dickens, who, at the height of his fame and fortune, was involved in a horrible train wreck that changed his life for the worst and apparently transformed the writer in an isolated, moody and much darker man who became obsessed with death, and with what would be his final (unifnished?) work: The Mystery of Edwin Drood.  And to add a whole 'nother later, Simmons has this strange story narrated through a recently unearth "journal" authored by Wilkie Collins, a real, live writer and friend of Dickens whose The Woman in White and The Moonstone helped to invent the entire mystery/detective genre ... though this petulant and jealous characterization just adds even more sweet ambiguity to the story, from its very first pages.

Simmons changes genres with a head-spinning ease and authenticity, and though this is a long, long book by today's standards -- just like The Terror before it -- it's worth every minute.


A Werewolf, a Vampire, and a Ghost Walk Into an Apartment...

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The BBC continues to produce a far more interesting array of supernatural / action series than the US of A, and Being Human -- now appearing on BBC America -- is a prime example.

It sounds terribly cheesy: it's modern day, and a mousey werewolf, a darkly handsome vampire straight out of Twilight, and a pretty girl-ghost who's a bit of a compulsive talker all rent a flat together in suburban England.  And there are problems almost from the outset with rival vampire sects, the blood-sucker's whacky (and undead) ex-girlfriend, the werewolf's libido and the ghost's unfortunate murder...

Well-acted, well-written, and shot with a strange matter-of-factitude that makes the scary parts even scarier, it's an undiscovered little treasure hiding at the far end of the dial. 

There are six episodes in the first season, and rumors of a second series in the works (nothing official yet, but the first one just finished in the UK, with strong ratings).  And this is good enough that you'd try it even if it wasn't the only new stuff on TV this side of Leverage.


del Toro and Vampires Invade New York. Yay!

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A jumbo jet lands at JFK, but instead of rolling up to the jetway it stops dead in the middle of the tarmac.  Its windows are shut.  Its radio is silent.  And everyone inside, lying there in the dark, is dead.

It is the first evidence that something has gone terribly wrong in the world -- of the arrival of vampirism in the modern world. And it is only the beginning. As the promo copy says:

In one week, Manhattan will be gone.

In one month, the country.

In two months -- the world.

Vampire-invasion novels are making a major return this year and next, beginning today with the hardcoverpublication of The Strain, the first in a trilogy by renowned horror/ adventure director Guillermo del Toro and Hammet Award-winning novelist Chuck Hogan (Prince of Thieves).

This is serious horror-adventure, much more in the vein -- sorry -- of Stephen King’s classic Salem’s Lot or Richard Matheson’s original I am Legend than the quasi-romantic Twilight series or urban-fantasy romps of Laurel K. Hamilton and her own dark breed.  And del Toro comes to the field with some great prior experience; he director Blade II, created and directed The Devil’s Backbone, Mimic, both Hellboys, and the amazing Pan’s Labyrinth, while Hogan has already proven himself as a consummate stylist and storyteller.

Modern-day vampires is a substantial horror subgenre in its own right.  You could go all year and read nothing but -- some of it actually very good, like Charlaine Harris' Southern Vampire series or Chelsea Quinn Yarbro’s wonderful wrought historical novels feature Le Comte de Saint Germaine and his spawn.  At any given moment, those friggin' bloodsuckers are inhabiting at least one of the top ten spots on the best-seller list and/or the box office over-achievers, but this is the first time that the movie-guys and the writer-guys have gotten together ... and given del Toro’s already well-established oddness in imagery and conception, this could turn out to be one wonderful hell-ride.

It should be about a day and a half before the film options are announced, though if del Toro himself takes is on we’ll have to wait in line – he’s already committed to directing the two-movie series of The Hobbit for Peter Jackson -- but in the meantime: the bad boys are back.  Enjoy.


Neil Gaiman vs. Stephen Colbert ... and Gaiman Wins!!

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Incredible but true!!

It was, without a doubt, one of the oddest interviews this season, part of a show which consistently has the oddest interviews on TV.  Stephen Colbert, in full fulmination, grilled Neil (Sandman, Neverwhere, Coraline) Gaiman about his newest YA novel, The Graveyard Book.  Gaiman actually held his own, didn't try too hard to out-weird Stephen, and actually seemed to be enjoying himself.  And who'd have thought that Colbert would not only know who Tom Bombadil was, but could actually recite a whole Tolkien ditty about the man?  As previously reported: weird...