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Neil Gaiman vs. Stephen Colbert ... and Gaiman Wins!!

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Incredible but true!!

It was, without a doubt, one of the oddest interviews this season, part of a show which consistently has the oddest interviews on TV.  Stephen Colbert, in full fulmination, grilled Neil (Sandman, Neverwhere, Coraline) Gaiman about his newest YA novel, The Graveyard Book.  Gaiman actually held his own, didn't try too hard to out-weird Stephen, and actually seemed to be enjoying himself.  And who'd have thought that Colbert would not only know who Tom Bombadil was, but could actually recite a whole Tolkien ditty about the man?  As previously reported: weird...


Outlander: An Overlooked Gem

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It was in the theaters for about an hour and a half, and slipped onto DVD shelves in May with barely a quiver, but amidst all the slam-bang-boom of the summer blockbusters, perhaps the best fantasy / action / adventure / sf / monster / kick-ass movie of the year remains: Outlander.

Simple but surprising plot: an alien soldier, indistinguishable from humans, crashes on Earth and inadvertently releases a horrible creature, the Morwen, on an unsuspecting Earth, where it immediately begins killing as fast as it can. The alien enlists the help of the locals to capture and kill the thing before it can kill even more and propagate. Major problem: the alien landed in Norway c. 905. So it's Vikings vs. Predator/Alien, but better.

Jim Caviezel is tremendous as Kainan, the alien solider/hero. Sophia (Moonlight) Myers is absolutely beautiful and believable as Freya, his warrior-woman love, and you'll barely recognize a near-cameo of Ron (Hellboy) Perlman as a rival king. But the real star of the movie is the Morwen, without a doubt the best CG monster of the year and then some. And you should see it underwater. And on fire! And this ain't even the climax! It's an excellent example of just how good CG can be if the design and animation is top-notch and the context and editing seals the deal.

Here’s a merely representative sequence from the middle of the movie – this ain’t even the climax! – to show just how good CG can be if the design and animation is top-notch and the context and editing seals the deal.



The good news:  Dirk Blackman and Howard McCain, who wrote this nice piece, (McCain directed, too) have just been hired to do a major rewrite on the Conan the Barbarian script (and no, they still haven't cast Conan yet)..  Maybe there’s hope for that project after all…

Netflix or buy Outlander here.



Joe Abercrombie's The Blade Itself: Now THAT'S Fantasy!

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Let's face it: most sword and sorcery books are pretty crappy.  Or at least repetitive.  Or treacly.  All those fairies and elves and boggies and such.

But once in a while, an author comes along with a story that brings the thud and blunder back to thud and blunder: real characters, great action, a convincing take on magic, even a little realpolitk.

We won't even attempt to summarize the plot -- or plots, really.  Suffice to say there are a variety of fascinating folks, from a barbarian named Nine Fingers to a spoiled-rotten swordsman, from an ill-tempered wizard to a sad, mad, cruel ex-swordsman turned torturer ... and they all come together in a complex but hugely satisfying story of intrigue and adventure.

Pyr, a division of the British publisher Prometheus, has released all three books of "The First Law" series at once -- and even the cover designs are cool! -- making for an easy and easy-to-access read.

Last time we saw this kind of enjoyable realism wih a sense of humor was Tad Williams' Memory, Sorrow and Thorn series ... and that was fifteen years ago.  If you like that -- and haven't care for a hell o a lot since -- then The First Law, beginning with The Blade Itself, just might be for you.


Life in Mars cancelled, but gets a real ending

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Life on Mars, the ABC-TV half time-travel, half-retro, half-cop-show action series starring Jason O'Mara, has been cancelled only four months after its premiere, with 14 shows in the can.  It really never did catch a break, from a lack of publicity at the ouset (in spite of its coverted post-Lost time-slot) to the last-minute re-casting  (Colm Meaney out, Harvey Keitel in).  All in all, you could see the handwriting scrawled across the HD screen weeks ago.

But here's the good news: the Powers That Be were kind enough to cancel the show ealry enough that Life on Mars wwill get an actual ending, and most (if not all) of the quesitons about Sam's sudden trip to the past via car-crash will be answered.  Is he in a coma?  Is he dead and just doesn't know it?  Is he actually visiting the 70’s, God help him?  All will be revealed during its last episode in May.  Watch The Rush for details!








Robert Ludlum: The Busiest Dead Writer in America

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It's truly odd: during most of his long and prolific career, Robert Ludlum couldn’t get Hollywood to answer the phone. But since his death in 2001 at the age of 73 from a subdural hematoma, he's been doing very, very well.

It's true that his 25 pre-death novels have done well; enough in bookstores. most are still in print and even during his lifetime, he attached legendary directors like John Frankenheimer and Sam Peckinpah.

Major-at-the-time stars responded, too, like Burt Lancaster and Michael Caine. But the movies that resulted didn’t light up anybody's marquee, and by the time Ludlum died the most interest his work could generate was an off-brand mini-series based on The Apocalypse Watch, starring sadly minor attractors like Patrick Bergin and a pre-Sideways Virginia Madsen.

Then he died. And then came Matt Damon.

Since then, of course, he's had a hell of a posthumous ride. Not one, not two, but three Bournemovies, with rumors of more in the works, that have blown the tops off of various box offices. A string of 'new' novels under the Ludlum name, many of which have sold as well as the old stuff that Ludlum himself actually wrote, and no less than three more Ludlum projects in various stages of big-time movie-making.

And now the newest: a version of his global conspiracy novel The Materese Circle is set to star not only Denzel Washington, but Tom Cruise as well.

You can look on the bright side and say that good material rises to the top, even if it takes some time getting there (though there are many critics that would disagree with that re: Ludlum, and point to how little the movies retain from R.L.'s source material). Or you could look on the slightly more cynical side and lament how the best thing that ever happened to Mr. Ludlum was dying. Since then, he's been a growth industry.

Battle for the Cowl: Batman is Now a Big Dick

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It's been the talk of comics this Spring -- or at least DC hopes it's been the talk of comis this Spring.  At the end of the stunning (and horribly confusing) crossover extravanaza called Final Crisis, Batman -- the original Batman, the one and only Bruce Wayne -- was fried in his suit like a lobster in its shell, right there in front of Superman and everybody.  He is presumed dead , once and for all ...


...and yet the world still needs a Batman.  As does the Trademark and Licensing Division of Time Warner, owner of DC Comics. 

Over the last three months, a host of interconnected series and one-shots have followed the "Battle for the Cowl.," as various characters in the DC Universe contemplated taking on the Bat-identity"  For all the hoopla, however, the serious list of major contenders was pretty short: the three Robins and a couple of dead guys:


Tim Drake, the current Robin, #3 in a series (collect 'em all!) seemed a little too young and, well, short, to put on the suit (he's just about to graduate from high school, and smart and determined as he may be, he's still just a Robin, y'know? 


Jason Todd, the fully grown #2 Robin, seemed equally unlikely.  He was infamously killed a few years ago -- blowed up real good by the Joker -- and then brought back to life in a complicated parallel-world-Ra's A Ghul resurrection process, sometimes playing the diabolical villain in a red hood, sometimes the reluctant hero in a leather jacket, and sometimes acting like a flat-out psycho, as in the Battle for the Cowl series where we wears a kind of BDSM incarnation of the Batman suit and shoots people alot (this descent into pure psychosis comes after his lengthy and far less nutso portrayal in the previous big crossover.  Talk about being ill-served.) 


Other likely candidates, like the grimly homicidal Jean Paul Valley, who put on a high-tech version of the suit a few years ago when Bruce broke his back (man, that guy has had it rough!), is also dead and not resurrected, and the new Azrael -- the subject of one of the more interesting series out of "Battle" -- is a newbie in the DC Universe.  The Powers that Be are certainly not going to turn over the company's #1 icon to an unknown -- especially a (gasp!) black man, since that open-bottomed cowl would make it a little tough to carry one without questions.  And all the other contenders presented during the "Battle" -- Hush, Catman, Bane -- don't ask unless you want a five-hour dissertation on recent Bat-History -- just didn't make sense.


No, from the very beginning there's been only two real possibilities: ( 1 ) Bruce himself would come back from the dead, like Superman did after his "death" a few years ago, or ( 2 ) Robin #1, now known as Nightwing, good ol' Dick Grayson, would finally assume the position (so to speak).


One Dead Bruce to Go.  It's generally believed that Bruce is not, in fact, dead; the last couple panels of Final Crisis make is clear (as clear as anything in that series) that some version of Bruce does, in fact, persist -- though how much he's like 'our' Bruce is uncertain.  And he's clearly out of reach at the moment.  At last report no one in the DC Universe knows he exists, and he's stuck in the distant prehistoric past.  And only Tim Drake, now in the guise of an 'adult' Red Robin, is even looking for him.


At last: Bat-Dick?  Dick-Man?  Bat-Boy?  In retrospect, it was pretty obvious from the outset.  Everybody kept saying, "Do it, Dick, DO IT!" and though he refused at the beginning -- after all, he'd worked pretty hard on the whole "Nightwing" persona for a number of years -- it wasn't clear why he was so dead set against carrying on the tradition, especially in view of the other pathetic alternatives.  Ultimately, he mumbled something about a promise that Bruce himself had extracted, that he wouldn't take up the cowl ... but ultimately, he decided, the hell with that.  Gotham's falling apart, despite the best efforts of about twenty other superheroes.  And the only available Bat is Dick Grayson.  Thus, at the end of the third and final issue of the "Battle for the Cowl" series: Dick does it.


The Bat is Dead, Long Life the Bat.  What this will mean for the Nightwing persona is unclear.  Though never as popular as the "A" list heroes, he has a long and well-respected tradition, and no one likely to pick up the Nightmask.   


So who's going to be Dick's Robin? Bruce Wayne's biological son Damien, fathered during his seduction by Ra's al Gul's daughter Thalia, has become Robin#4 while #3 gets the hell outta town. Which, considering he's a spoiled brat and a bit of a violence-prone nut job himself, makes for an  'interesting' duo ... at least until Bruce comes home to claim his birthright and kick some ass.


We're guessing...March 2010 latest: Bruce Wayne reappears and the real battle begins!


Dr Who: "The Next Doctor" Premieres Saturday

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There won’t be a weekly Doctor Who in 2009, but there will be a series of two-hour movies, starring the inimitable David Tennant as The Doctor, but without a consistent Companion. He picks up (and drops) new ones in each movie, including this one, which originally aired in the UK on Chistmas Day. And at that time it was also known that David Tennant would soon be leaving the role, as nine had before him, and someone would be taking his place as the Eleventh Doctor.

Why did it take six full months for the Christmas Special to appear on this side of the on?  Anybody’s guess.  But one of the clever centerpieces of the piece is blown to pieces by this, ah, time slip, so to speak. 

At the time of its original airing, much ink was spread and speculation swirled around David Morrisey, a well-respect British actor who appears to be a (slightly befuddled ) future regeneration of The Doctor who has lost his way. Would he be the new Doctor?  Was this the much-anticipated, even –dreaded, Regeneration Episode?

We won’t give it away entirely,  but it’s really not much of a secret anymore.  Any Who fan worthy of the name knows what nobody knows on December 25, 2008: this guy here is going to be the next Doctor, not David Morrisey.

And as of June 25, another Tennant-based Who-movie, The Land of the Dead, has already aired (it’s okay, but not as good as The Next Doctor).  And the next, The Waters of Mars, is filming now and will air in the UK in November.  When it will air in the US is anyone's guess.

As for The Next Doctor, you’re in for a rollckin’ good Victorian time, as The Doctor lands in London, 1851 and unravels a mystery that involves watches, memory, murder and the return of the biggest Cyberman you ever saw, not to mention the King – ah, Queen – ah, King? – of the Cybermen.  Great fun … just a little late out of the starting gate.  

Quite Possibly the Worst World-Whacker Ever Made. Seriously.

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Asteroids, comets, moons, planets smashing into Earth and ending everything -- everything.  You'd think the all those celestial bodies ramming into each other, ending in total extinction events, would have enough inherent drama and visual potential to make a bunch of great movies. 

Apparently not.  Global annihilation just isn’t enough anymore.  You gotta go big, son, really big. 

At least that's what the makers of Impact, an 'original' (and never has the term been used so loosely) new miniseries on ABC seem to think .  It's everything but the kitchen sink, and bits and pieces from every bad world-whacker since 1951, all rolled into one big sticky ball, starring the guy from JAG and the babe from Species.  Check out the trailer…

Impact


An asteroid hitting the moon and sending it towards Earth?  Not enough.  So ... having a fragment of a brown dwarf star "hiding behind" that meteor shower, embedding itself in the falling moon, so now it weighs more than Jupiter?  Better, but still ... Okay, have some of the moon-parts moving a zillion times after than the bulk of it, so they arrive, like. minutes after the collision -- and more than a month before the rest of it?  You're getting there.  Okay, okay: have the moon-dwarf-star-thing so hyped up on "electromagnetic energy" (yeah, we don't know what that means either) that it actually overwhelms gravity, so people and trains and stuff can go floating into the air at random points and time -- whenever it's dramatic.  Okay, now we got a movie.


Unfortunately, it's a really awful movie, with bits stolen from every previous bad world-whacker of the last sixty years, from When Worlds Collide (1951 – Barbara Rush!  John Hoyt!  Really cool spaceships!) to Meteor (1979, the first truly awful star-studded extravaganza, with the likes of Sean Connery and Natalie Wood, among too many others) to Asteroid (1997, TV.  A pre-Katrina fantasy with Michael [Terminator, Aliens] Biehn as an actually heroic FEMA Director) to the nearly simultaneous entries of Deep Impact (1998, a true weeper with Tea Leoni being all serious and Morgan Freeman as a – get this-- inspirational black president! Ha!) and the still-embarrassing Armageddon (1998, Bruce Willis as a drilling expert who saves the world but loses his life and Ben Affleck at his most ineffectual [okay, except for Daredevil] has a long and distinguished and/or embarrassing history in literature and film.  Thinking back , there really hasn't been a good movie about the subject yet.  And judging by Impact ... there still isn't.


Not that the battle is over: far from it.  The very first world-whacker, When Worlds Collide, is slated for the remake express, directed by Stephen (GI Joe, The Mummy) Sommers  with a scheduled release date of 2010.  Look ouuuuuuut!



New Model, Original Parts: 27 Movies, 2 Series and 1 Pilot Later...

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It’s been eight long  years since the first giddy frames of The Fast and the Furious.  And now here we are, all back together again



Some movie are watersheds – films that bring fresh new faces to light, personalities that define the hext generation of actors.


It's been eight long  years since the first giddy frames of The Fast and the Furious.  And now here we are, all back together again



Some movie are watersheds -- films that bring fresh new faces to light, personalities that define the next generation of actors:The Breakfast Club, The Big Chill, Fast Times at Ridgemont High, The Godfather. And then there are movies like TFATF, where even the biggest of the stars who started there have never quite fulfilled their expectations.



Not that the four major players in this crash-and-burn classics haven't been working.  They've all made at least half a dozen movies in the last eight years, and they all have things planned for the future.  But world-shaking projects?  Realizations of their genius, first glimpsed in Too Fast?  Not ... so much.



The most visible of course, is Vin Diesel.  Vin had one cult hit before Too Fast, the Australian scifi-thriller Pitch Black, but since then?  Well ... a not-very-good sequel to PB, a couple of mold-breakers in A Man Apart and Find Me Guilty, neither of which made much money.  The howlingly bad The Pacifier, Vin's tribute to Schwarzengger's Kindergarten Cop, and the entirely forgettable Babylon A.D.  The only movie that came close to making any mark at all was xXx, made immediately after Too Fast, and even there it didn't quite catch: Diesel refused to make any sequels to what could have been a halfway-decent action franchise, which has now been driven into the ground by a truly awful sequel starring Ice Tea

(Vin does have one thing going for him, though: some of the coolest character names ever. Domnic Toretto.  Xander Cage. Shane Wolf.  And even two one-word names: Riddick and -- my personal favorite, from Babylon -- Toorop.  How true.)



Paul Walker hasn't even been that lucky.  Most of his movies disappeared immediately and without a trace: Timeline (2003), Noel (2004), Running Scared\ (2006) The Death and Life of Bobby Z (2007), and The Lazarus Project.(2008)  And even the couple of highly physical thriller/adventures, Into the Blue and Eight Below, couldn't catch a break.  Fast & Furious is actually the biggest picture he's had since ... well, since The Fast and the Furious.  (And he's only had one cool name, this one from Running Scared: Joey Gazelle.  Yahhh.) 8 movies



Jordana Brewster has made the fewest of the quartet, and the most forgettable.  You got your D.E.B.S. (2004), Nearing Grace (2005), and Annapolis (2006), and there are probably more people in your carpool than saw those films combined.  She did play Chrissi in The Texas Chainsaw Massacre: The Beginning, but I dare you to remember which one Chrissi was.  And then Jordana made a break for TV, where she made a pilot for a series based on Mrs. And Mrs. Smith -- it didn't get picked up -- and did a four-episode turn on NBC's Chuck, as his college-girlfriend-turned-spy.  Charming as ever, just not ... very ... lucky.



Michelle Rodriguez has been the busiest, I think, doing a ton of video game voice work (as has Vin), and staying close to her action-adventure roots, in film and on TV.  She's actually got a couple of cult classics to her name, including the first Resident Evil (in which she dies, damn it) and the first Bloodrayne (in which she doesn't make the sequel, double dammit).  And though she was perfectly good in Blue Crush, Control, Bloodrayne, and The Breed, her last couple of choices -- Battle in Seattle and Gardens of the Night -- are essentially missing in action (so to speak).  She has, however, managed to stay visible by being one of the more treacherous (and mysterious) Tailies in Lost. And when she got shot?  Oh, we cried.



But here we are, back for one more round of fast drivin', hot-talking boys and babes screeching and skiddiin' all around the town.  We'll see.  We'd like to be positive, but the fact is the studio hasn't released any copies for review prior to the Friday, April 3rd debut ... and that is almost never a good sign.



Ready ... Set...

Pride and Prejudice and ... Zombies?

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Some books just cry out for attention.  After all, how can you not pick up Seth Grahame-Smith's Pride and Prejudice and Zombies?  Hell, it even looks like the Jane Austen classic (except Elizabeth Bennet looks kind of, like, dead in this version). And the opening proves this pastiche is going to be irresistable: "It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains."

Apparently the story is pretty much the same as Austen's original...sort of.  There's Elizabeth, the lovely but defiant daughter, in her evolving love/hate relationship with Mr. Darcy ...

 ... except the both of them, and eveyrone else, are busy sparring with flesh-eating zombies risen from the graveyards of the charming little English  village of Meryton.  So expect plenty of head-shots and piles of corpses along with the quips and quiet agony of love.

It really is an idea that's too good not to do...